Tuesday, August 9, 2016

Untitled Revenge Motivated Costumed Vigilantes Soundtrack

image is from Dark Horse Comics' X #1 (volume 2) by Duane Swierczynski and Eric Nguyen.

Untitled Revenge Motivated Costumed Vigilantes Soundtrack

inspired by the less-than-inspired "mix tape" soundtracks of Guardians of the Galaxy, Deadpool, and Suicide Squad. 

as a huge fucking comic nerd, i found a lot to like about those films. as a huge fucking mix-tape soundtrack nerd, i found little to like about those films.

utilized properly, Mix Tape Soundtracks can add to the atmosphere of a film, as well as compliment the characters and the situations. John Waters, Martin Scorsese, Greg Araki, Quentin Tarrantino, David Lynch, Abel Ferrara, Seijun Suzuki, Sion Sono, and many others use pop songs (and not-so pop songs) in such a way that you can't imagine the scenes without them. the current crop of superhero films though seem to rely on the most obvious of A-Sides that have little-to-nothing to do with the events they are scoring.

initially, this playlist started as an alternate Suicide Squad playlist (hence tracks like "Ha Ha Ha" by Flipper, "I Started a Joke" by FNM, "Targets" by Rotten Sound, and others you could probably guess), but it quickly spun out into songs that could fit into any superhero narrative. a lot of these artists are on the more mainstream side, but i snuck in some underground metal/grind favorites (Meatwound, Triac, Dendritic Arbor, 9 Shocks Terror) cause another thing that's cool about mix-tape soundtracks is throwing a few curveballs and shedding light on some bands and artists that otherwise may go unnoticed.

mostly though, i just don't need to hear "Fooled Around And Fell In Love" or "Fortunate Son" ever again.

Tuesday, April 19, 2016

Is this first world musician’s privilege? Fuck you, no. You know what privilege is? Being the entitled asshole who wants shit for free or only if it’s collectable and doesn’t care if the route this garbage gets to them is littered with the shattered dreams and new alcoholism cases of label owners, record stores and musicians. Because it’s all about feeding the consumer and the consumers apparently are eating whatever the majors are telling them is special. What started as a well intended idea to bring attention to struggling business is having an opposite effect of trampling on independent music and its culture, it’s strangling those who are fighting to keep this culture free from conventional and corporate interests. And regardless of how many clicks it gets your website it’s nothing to fucking joke about.


Krieg's Neill Jameson on Why Record Store Day has Spoiled and Should be Thrown Away


Friday, April 1, 2016

VICTIM IMPACT STATEMENT; Lost 1990s Regional Hardcore Act


VICTIM IMPACT STATEMENT came to being around 1996/7, a time when "tough guy hardcore" was experiencing a surge with acts like FURY OF FIVE, 25 TA LIFE, CROWN OF THORNZ, and many others. V.I.S. was very much in that vein; chunky riffs with Roger Miret style vocals and a jocular attitude that seemed at odds with the ethos of GEN-1 hardcore acts. while clad in the sneakers, basketball shorts, and sports jerseys of many acts and fans of the day,  V.I.S. added an additional air of mystery to their stage presence by wearing ski-masks and balaclavas, concealing their identities and putting forth a more dangerous image that intrigued the audience. the members of V.I.S. wore them at all times, so no one knew who they were or what they looked liked. the group also ran their voices through modulators, disguising their natural cadence and furthering their mysterious aesthetic.

 like most of the bands in this genre, V.I.S. cut their teeth playing matinees and VFW Halls, always making sure to emphasis that they and their songs were "For The Kids". quickly amassing a sizable following on their shows alone, regional fans waited a little over a year before V.I.S. released any physical document of their music. at their much anticipated record release show, they sold out of their debut release.


there was no title, no songs listed on the sleeve of the LP, just the letters "V.I.S." in a varsity font and picture of a heavyset male holding a bullhorn. when the audience opened up the record and saw the contents inside, V.I.S.'s proclamations of being "For The Kids" took an alarmingly sinister turn.



it was revealed that their lyrics and album art were littered with graphic references to and photos of children in sexual situations. this tied into the photo on the LP's sleeve; Victor Salva; the genre film director who was found guilty of child molestation/possession of child pornography. as for the songs themselves, while still retaining the group's primary influences (Judge, Strife, Killing Time),they took on a much more noisy and vicious tone on the record than in a live setting, with piercing layers of noise and feedback omnipresent throughout the run time, going to places where Integrity had only whispered. having never mentioned the titles of the songs at their shows, their fanbase was disturbed to find that the songs they had been moshing to bore names like "Orphan Kinks", "Fetal Seizures", "Sperm Crater", "Sexualized Adolescent Loophole", and others lost to time.

like thieves in the night, V.I.S. disappeared in short order after the record release show. most of the albums were thrown away by the disgusted listeners, though some of the more "adventurous" types in the scene held on to their copies, making it a much sought of item among collectors of obscure hardcore ephemera and/or transgressive material. copies of their sole release can only be found as multi-generation rips in the far flung corners of the deep web, and rumors of the parties involved still persist, but no one has step forward to claim membership in the band. a popular thesis connects RAINCOATER frontman Richey Walker to the group, as they emerged some time after Walker's exit from that band.




Thursday, December 3, 2015

Top 10 Bandcamps of 2015

CHAIN GANG GRAVE - Bury Them and Keep Quiet 

might be my new favorite band from NY.


TETRAGRAMMACIDE - Typhonian Wormholes: Indecipherable Anti-Structural Formulae 

black noise recorded through a traffic cone onto a boom box covered in wet paper.


LUMINOUS VAULT - Communion

oh hai.

SIRE - s/t demo

members of noise rock giants White Mice and Tinsel Teeth killing it at raw black metal.

GUNSHIP - s/t

driving in light polluted desolation pining to be haunted by the neon spectres of Jaimie Gertz look-a-likes.

FARSAS - Kazkaiptai Nejuokinga

perfect grindcore.

OKAZAKI FRAGMENTS - Abandoned

severely brain damaged tech-grind that retains an organic thickness often lost among the post DEP lot.

OPENING BELL - Always Be Closing The Portal

takes me back to my late college days of scouring the interwebs for Black Mayonnaise d/ls. the Communion played with them this past July and they left quite an impression. looking forward to doing more with them in the future.

 MEGA DRIVE - Hardwired V1.4

in the optic crosshairs of a stop motion robot assasin.

CRYPTIC VOID - Psychomanteum

if Artifical Brain is the monolith, Cryptic Void is the madness they bring. i dunno. this is tiring. shit rules.

Wednesday, December 2, 2015

Exeunt Albumnes 2015

all of my favorite releases competed in qualifying matches to gain entry into a 44 person 6 round elimination tournament, the 10th Anniversary Edition First Annual Sperg-1 Climblast Wrestlegrind. here are the top 10:

1.
PSUDOKU - Planetarsik Sudoku

Naked City Lives.

2.
TOTAL ABUSE - Excluded

thinks your "dark hardcore" records are just adorbs.

3.
GRIME - Circle of Molesters

adjectives about tar.

4.
GRAVE BABIES - Holographic Violence 

standing awkwardly across a dance floor full of beautiful women who are awful for you.

5.
ABJECTION RITUAL - Futility Rites

synches up perfectly with Titicut Follies i'm told

6.
MGLA - Exercises in Futility 

the album Deafheaven thinks they're making whenever they put their Future Islands bullshit to tape.

7.
DENDRITIC ARBOR - Romantic Love

dissonance volleyed in a shrinking closest till the blur can cut matter with its density.

8.
MEATWOUND - Addio 

Noise Rock: not just for smart asses who part their hair on the side anymore.

9.
RECTAL HYGIENICS - Ultimate Purity 

choked on a swallowed o-ring.

10.
PRURIENT - Frozen Niagara Falls

"I Promise I Will Only Fuck Prostitutes"

Friday, November 6, 2015

it’s been the proverbial “long road” with this release, so the fact that it’s finally out still hasn’t hit me yet. but enough talk; here’s a few years worth of “ah fuck” in 40+ minutes;

HELMSPLITTER/THE COMMUNION Split Album out now! For fans of AUTOPSY, BASTARD NOISE, NOISEAR, PORTAL, PRIMITIVE MAN, RORSCHACH, SERPENTINE PATH, TRIAC!

Order the CD for only $10 with free shipping at
http://www.horrorpaingoredeath.com/store/hpgd119.html

Stream the entire album for FREE,
then purchase the Digital Download for only $6.66 at

https://hpgd.bandcamp.com/album/great-violence-and-hidden-depths-split
Order the CD for only $10 with free shipping at
http://www.horrorpaingoredeath.com/store/hpgd119.html

Stream the entire album for FREE,
then purchase the Digital Download for only $6.66 at

https://hpgd.bandcamp.com/album/great-violence-and-hidden-depths-split
HORROR PAIN GORE DEATH PRODUCTIONS BRINGS TOGETHER TWO OF THE MOST VILE FORCES IN THE UNDERGROUND, HELMSPLITTER AND THE COMMUNION, FOR SPLIT ALBUM OF "GREAT VIOLENCE AND HIDDEN DEPTHS"! FORGED IN THE MIDWEST, HELMSPLITTER RETURN TO HPGD POWERING FORWARD INTO A REALM OF BLACKENED THRASH AND VIOLENT SELF-MEDICATION. EXTREME EVIL FOR A WORLD OF SHIT! MISANTHROPY, PAIN, FRUSTRATION AND DESPAIR LYRICALLY COMPLIMENT THIS MOLOTOV COCKTAIL OF BLACK METAL, SLUDGE, DEATH METAL, CRUST PUNK, THRASH AND DOOM METAL. HELMSPLITTER'S TRACKS WERE RECORDED, MIXED AND MASTERED BY SCOTT CREEKMORE (BROKEN HOPE, NUM SKULL, LIVIDITY). FOR FANS OF ABSU, BLOOD DUSTER, BONGZILLA, CRAFT, CROWBAR, DARKTHRONE, DESTROYER 666, EMPEROR, EYEHATEGOD, GOATWHORE, HORNA, IMMORTAL, LEVIATHAN, MARDUK, MAYHEM, SLAYER, SOILENT GREEN, 1349 AND WATAIN

BLACKENED SLUDGE GRIND, HARDCORE DEATH NOISE, PERVERSE SURREALISM! THE COMMUNION HAIL FROM BETHPAGE, NY AND HOLD NOTHING BACK ON THIS BLUDGEONING SPLIT RELEASE. NOT EASILY DEFINED OR CATEGORIZED, THIS METAL/HARDCORE QUARTET QUARTET CREATE ANGST-RIDDEN EXPLOSIONS, A TWISTED PERCEPTION OF BLACK METAL SHRIEKING, BLAST-BEAT TAKEOFFS AND SWINGING SLUDGE RIFFS. A DISGUSTING DISPLAY SURE TO PLEASE FANS OF PUKE GRIND, HATE SLUDGE, JUNK NOISE, SURREAL DEATH, SCABBY BLACK, SUICIDAL DOOM, GUTTER THRASH... AND OTHER SUBTERRANEAN MUTANT SOUNDS FROM AESTHETIC ISOLATIONISTS. THE COMMUNION'S TRACKS WERE RECORDED/MIXED BY JAY NEWMAN AND MASTERED BY ALAN DOUCHES AT WEST WEST SIDE MUSIC. THIS RELEASE FEATURES ARTWORK BY ETHAN LEE MCCARTHY (PRIMITIVE MAN, WITHERED, VERMIN WOMB, CLINGING TO THE TREES OF A FOREST FIRE). FOR FANS OF ABSCESS, ANTAEUS, ARABROT, AUTOPSY, BASTARD NOISE, BODDICKER, DRAGGED INTO SUNLIGHT, THE KILL, NOISEAR, PORTAL, PRIMITIVE MAN, RORSCHACH, SERPENTINE PATH, STARKWEATHER, TRANSIENT AND TRIAC


TRACK LISTING:

Helmsplitter
1. When Black Rains Fell
2. The Ancients Beneath
3. Denied The Light Forever
4. My Darkness Complete
5. Monuments Of Man's Depravity / A Grave Best Left Forgotten

The Communion
6. Graft
7. Volunteer Widower
8. Next Time I'm Coming Inside
9. Hymen Balaclava
10. Gallstone Seedbed